Tutorials

Link

Tool Type

Designer

Notes

Saturation / Distortion

Aaron Brown

Twitter Thread: low-end manipulation. Low-end | Bass | Sub | Saturation | Distortion | Boost

Modulation

Ash Read

How the Returnal Audio Team created the alien vocals. Creature | Granular | Modulation | Alien | Sci-fi | Returnal | Showcase | Vocals

Synthesis - Serum

Carlye Nyte

How to make a serum patch for weapon chargeups. Serum | Sci-fi | Synthesis | Weapon | Charge

Modulation - Whoosh

Carlye Nyte

Route track audio output directly into Reaper. Whoosh | Swish | Modulation | Tonsturm | Texture | Reaper

Synthesis - Serum

Carlye Nyte

Using noise in Serum to layer samples and synthesis. Noise | Generation | Electricity | Machinery | Modulation | Synthesis

Modulation

Juan Pablo Uribe

Utilizing filter envelope controls to create sci fi whips. Uhbik | Modulation | Sci-fi | Filter | Whip | Whoosh | Swish

Whooshes, textures

Juan Pablo Uribe

Set up Tonsturm's Whoosh to run through Reaper Media Explorer. Whoosh | Swish | Modulation | Texture | Reaper

Impacts / Modulation

Juuso Tolonen

Using Melda's MPhaser to make ploppy impacts. Melda | Modulation | Impact | Rock | Ricochet | Ping

Whoosh

Juuso Tolonen

Using Valhalla Supermassive to create whooshes. Whoosh | Swish | Modulation

Impacts - Weapon

Paul Stoughton

Making energy weapon transients using Tonsturm Traveler. Pulse | Energy | Traveler | Tonsturm | Impacts | Weapon | Sci-Fi

Creatures / Textures

Thomas Jaine

An easy way to morph 2 sounds in Reaper. Creature | Texture | Morph | Reaper | Vocal | Granular

Modulation / Distortion

Thomas Jaine

The standard overuse of OTT to make crazy distortion. Mangling | Feedback | Texture | Granular

Explosions

Tzvi Sherman

Using an FX chain to create tonal, transient explosions. Chain | Explosions | Impact | Tonal | KClip | De-noise | Disperser | FilterFreak